Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner AKA the Xerox Book
This book exhibition—also known as The Xerox Book—was organized and published by Seth Siegelaub in 1968. Both presenting a range of artists associated with Siegelaub’s curatorial practice and utilizing unconventional modes of exhibition, this book marks ongoing attempt by Siegelaub to show work outside of the gallery setting, and his first time showing an exhibition in book form. Furthermore, Siegelaub asked each artist in the exhibition to create 25 pages of work that responded to the photocopy format. Though the Xerox process proved financially unfeasible—the works ultimately being reproduced through the more conventional printing press—the book continued to be referred to as “The Xerox Book,” preserving its association with the then-new photocopy technology.
Participating artists are Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner.
Seth Siegelaub (b. 1941 – 2013) was an American curator, art dealer, and author. Through his gallery, Seth Siegelaub Contemporary Art, and his later curatorial practice, Siegelaub introduced the art world to both a wide array of innovative conceptual artists as well as to radically new ways of exhibiting and distributing art. In 1971, Siegelaub (along with Robert Projansky) authored “The Artist’s Reserved Rights Transfer and Sale Agreement,” which was translated into German, French, and Italian. Following his early work in the arts, Siegelaub went on to work as a political researcher and a collector and bibliographer of textiles.
8.375 x 10.625 inches